Navigating the Whimsical World of Children's Literature with Author Raven Howell
“If I can guide a student toward lovingness, lift someone who is sad or feels alone with a poem or a word, or simply inspire a child to giggle with a whimsical story, then….I’m good.” – Raven Howell
Welcome to the vibrant world of Raven Howell, a children’s literature author. Raven shares insights into her creative process, revealing how whimsical ideas transform into stories that capture the hearts of young readers worldwide.
In this extensive post, Raven discusses her creative process, revealing how she transforms whimsical ideas into narratives that captivate young readers worldwide.
Here’s what you can expect from this post:
Publishing Insights: Learn about the complexities of the publishing process as Raven discusses the highs and lows, from the magic of holding her first published book to the challenges of collaborating with publishers.
Book Promotion Strategies: Understand Raven's multipronged approaches to promoting her books, from social media engagement to participating in literary festivals.
Advice for Aspiring Writers: Valuable tips for those looking to forge their path in the writing world, especially children’s writing, emphasizing the importance of perseverance, relationships, and continuous learning.
Daily Writing Habits: Gain insight into the structured yet flexible routine that helps Raven stay productive, including her unique environments and preferences that stimulate her creative flow.
Engaging with Readers: Learn about Raven's direct involvement in the community through school visits and how these interactions fuel her writing.
Handling Writer's Block: Raven shares her methods for overcoming creative hurdles and why diversifying creative activities can reignite the writing process.
Raven's Creative Process: Discover how Raven harnesses ideas, turning them into her stories, and why she believes in capturing inspiration the moment it strikes.
Future Aspirations and Goals: What lies ahead for Raven? Explore her ambitions to push the boundaries of children's literature and her vision for her career's next phase.
Whether you're a budding writer or a seasoned bibliophile, Raven's insights offer inspiration and practical tips.
Meet Raven
Raven Howell is the author and poet of over 20 traditionally published children's books. Her books have received several awards, including Creative Child magazine's Best Book of the Year, The Royal Dragonfly, The Big Book award, NABE's Pinnacle for Best in Children's Poetry, The Wishing Shelf, The Moonbeam Children's Book award, Mom's Choice, and won the Little Peeps Finalist.
She writes poetry for various magazines such as Highlights for Children, Highlights Hello, HighFive, Babybug, Ladybug, Spider, Cricket, Jack and Jill, Humpty Dumpty, Fun for Kidz, and The School Magazine.
Raven’s work is included in anthologies, DVDs and CDs, educational material, and home-schooling programs. She has received Merit awards for poetry from the SCBWI and was voted Poetry Soup’s “Top hottest poet” after the release of her debut book. She writes a monthly column, The Book Bug, for Story Monsters Ink magazine and manages the magazine's activity center, Kids Corner. Passionate about children’s literacy and poetry, she enjoys presenting children’s programs in libraries and classrooms.
She lives in New York’s Hudson Valley with her husband, kids, and Ragamuffin cat, Lilac. Raven enjoys time with her family, hiking, music, and reading. She's a huge fan of spring flowers, sunny beaches, and warm butterscotch chocolate chip cookies!
Capturing the Muse: Insights into My Creative Writing Proces
Could you describe your writing process?
I tend to have several ideas floating around in my head. I’ll spend an afternoon or even a few days typing general ideas or storylines. Sometimes it may be just a title, phrase, or bit of a poem that I jot down.
It’s important to be available to write or type out your ideas as soon as they come. I suggest writers even use the “note” app on a phone if they’re not at home or near a computer. If you don’t take it down somewhere immediately, chances are, you may never remember your great idea again!
I’ve written down chunks of material that have become parts of my published books on paper napkins and, once, on ten little sticky note pads only because that was all I had available when the inspiration hit.
Do you have specific habits or rituals that enhance your productivity?
Not having outside distractions is best for me. However, I often prefer music in the background—music without vocals. Sometimes, “the music” of a yard full of crickets or bird songs works just fine. I always keep a water bottle and prefer a cup of tea next to me. And honestly, my productivity is enhanced when I have a deadline! Ha!
Do you write in chunks of time or short bursts? Do you write daily?
I write 7 days a week. Writing a new manuscript or editing is usually time-consuming, and I’ll spend hours on one project. Often, though, I work on my magazine column or other articles I’m assigned to write in shorter bursts of time.
How do you tackle writer's block when it strikes?
I’ve been fortunate not to ever experience “writer’s block.” Having said that, I would advise the writer-to-be not to get agitated but to trust that if something is not coming to you, let it go for the moment. Often when we try something else that’s creative, we can break through to an idea or a writing flow again.
For example, try getting creative in the kitchen and bake something from a new or familiar old recipe. Experience the sensations of mixing the ingredients (words), stirring the bowl (like writing), and baking (finishing your writing project). You may find inspiration when you bite into that chocolate chip cookie!
What advice would you give aspiring writers?
The one thing I stress with aspiring writers looking for tips is that if you want to be a good writer, you have to be an ardent reader. Read, read, read. Then, write your heart away! Let those two things be like a see-saw in your days.
Delightful Dynamics of Bringing a Children’s Book to Life
Can you share your experience of getting your first book published? How did you find a literary agent and publisher?
My first professional paid publishing in the children’s literary community was with children’s magazines. In those days, we used snail mail, and it was very slow to receive responses. I looked up as many children’s magazines as I could find in market book listings, at the library, or through other writer friends. Then, I formatted cover letters and sent in tons and tons of submissions until I finally started getting acceptances and formed good relationships with a couple of editors.
From there, I transitioned into books. It sometimes pays to start “small,” get your feet wet, and pick up writing jobs where possible, even if they’re minor. You’ll be able to start building up your writing resume, and one job can take you to another bigger writing project or a book if that’s your goal.
I was agented for several years, but that gets tricky since you lose the freedom to pick up other freelance writing projects that you may come upon or find on your own. My poor agent, I’m sure, was flustered by my enthusiasm and independence about getting work for myself. For now, I have a full writing schedule and have no need for an agent—not to mention splitting payment with anyone.
Describe when you received your book's first copy, ready for publication. How did you feel?
I still remember feeling proud, honored, and grateful- seeing and feeling my first published book in my hands was almost unreal. Months before that, receiving the acceptance and book contract for that release was more magical. Much hard work over the years had paid off, and my hopes of connecting with and inspiring readers were possible.
What's the most challenging aspect of publishing your work?
I don’t self-publish my work, which I’m sure comes with its own publishing challenges. Working with publishers is a collaboration. You must remain mindful that you are on their schedule. I feel fortunate because most of my editors are flexible and work with me regarding book production, deadlines, and release dates.
Were there any fun, surprising aspects of publishing your book?
I remember when books began being printed with a soft, matte texture on their covers as an option to glossy or plain flat. That happened right around the time I began having my books published. They felt so different to the touch—and still do. When I’m at book festivals, people love them and usually comment.
How did you come up with your latest book idea? How long did it take you to write it?
One of my most recent children’s books is titled Pinkies Up. The manuscript was developed from a poem I wrote. I wanted to describe a fun and diverse animal world coming together in their distinct ways and learning to work together as a community of friends. I worked on it for several months before I began submitting it to publishers.
From First Draft to Final Product: The Evolution of a Children's Book
What was the editing process like for your latest book? Who helped you refine your book, and how long did it take?
The publisher who signed Pinkies Up had published several of my other books, so it was great to have a working relationship already. The editor is a poet and writer herself. She allowed me to do most of the editing while contributing some suggestions. The text edits took several emails—not much time at all. But it did take almost a year to work out the art, illustrations, and text formatting to be fitting for the book.
Can you shed light on your book-writing strategy? Do you meticulously outline characters and plot beforehand or lean towards a more spontaneous, write-as-you-go approach?
I am more focused on determining the plot and theme beforehand. I do not meticulously outline characters. Characters from my children’s books, including animals, are usually loosely based on characters or experiences from my own life. In general, I know who they are and how they respond. The characters somehow find their way into the story - as if they are coming home as if they were always meant to be there. I welcome them in.
What types of research are typically involved in the crafting of your books?
Because my work is mainly fiction, another kind of “research” is needed. I research the types of books that children like to read these days. I’ll talk to librarians and teachers and research to see what’s selling now, what has continued to sell over the years, and what subjects have already been tackled so I can contribute something original.
What’s the most challenging part about writing a book?
The most challenging part of writing a book is knowing when to stop editing and revising it. I have literally spent up to a year editing, but sometimes, I can edit just a little and know it’s as good as it can be. It’s not always an easy call.
What’s the most fun part?
The best part of writing is when you know you have a fantastic idea, the words flow, and you can connect with your reader.
Building Bonds: How Raven Connects with Young Readers
How do you typically engage with your readers?
I’m actively involved with author visits at schools and libraries. It’s fun to read to classrooms and share creative activities with students. One can be sure you’ll always get honest responses and reactions from children from your little readers.
What sort of impact do you aspire for your work to have on your audience?
My hope is that the reader will be inspired, and encouraged to choose kindness and that children will have healthy self-esteem and experience love, laughter, and wonder within their hearts.
Do you have a favorite piece of feedback from a reader?
Yes. After a story time, during which I read and shared my book Be You Big with a preschool class, a little girl raised her hand and asked, “Ms. Raven, why do you love us so much?”
Spreading the Word: Strategies for Book Promotion
How do you go about promoting your books?
I attend literary festivals and children’s fairs, run book giveaways, and interact on social media. When one of my books is released, I participate in book signings, interviews, and book tours.
Do you have advice for aspiring writers looking to carve out their writing careers?
Practice, practice, and be flexible with opportunities. Write everything and anything. What genre or type of writing are you inclined toward, and where are your strengths? Sometimes having a critique partner helps with objectivity. Keep going if you receive a rejection. You’ll probably get as many as we all do! Let that be an opportunity to keep polishing your work.
Are there any resources (newsletters, podcasts, books, online communities) you suggest for writers keen on effectively marketing their books, building their writing careers, or learning to write better?
If you’re interested in writing for children, join the SCBWI, the Society of Children’s Book Writers and Illustrators, for tons of resource information and to stay in the loop. They offer conversations and articles around effective marketing and building writing skills.
Another tried-and-true resource is the Institute for Writers/Institute of Children’s Literature. Check their website, and if you sign up, you’ll get notices about contests and various writing prompts they offer year-round.
A Writer’s Digital Front: Websites, Newsletters, and Social Media
How does your website serve as a tool for promoting your books?
If someone is hiring a writer, they’ll often want to see your background, what you’re involved with and have been successful in, and your catalog of publications (if any), so directing them to my website is helpful. I also include information about the events I’m doing and upcoming projects. As a reminder, I direct the reading community to my website every few months.
Can you compare the effectiveness of your website, newsletter, and social media presence in engaging your audience and providing new career opportunities?
I am terrible with the newsletter aspect. I actually have a list, but have yet to find the time to send out an update or notice! They are effective in reaching the person who engages in emailing.
In most situations, a website is more beneficial than a plain old resume. Keep it up to date. Make business cards with your site information on them to have on hand.
Make sure your social media presence is professional. Add personal flair appropriately and keep it fun but clean.
Engaging with others is so important. I share other people’s posts and support the literary community when possible. What you give comes back tenfold.
How do you see AI changing the publishing world?
AI may reduce the need for editors and publishers so I think we’ll have to be on the lookout to see if that affects originality or creativity. On the flip side, I understand AI tools help refine an author’s writing (grammar errors, suggestions for better vocabulary, clarity of intention, etc.).
Looking Ahead: Pioneering New Themes in Children’s Stories
What would you consider the most significant milestone in your professional writing career?
As the years have passed, I’ve reached several delightful and unexpected milestones. Most recently, I was thrilled to be hired by a worldwide publisher as a storybook writer for preschool-aged children. This delightful publisher is involved with books that assist children in learning other languages, so I’ve been writing books in English for them.
Just last month, I met Matthew McConaughy and had the opportunity to write a feature about his new children’s book for a magazine cover story. That was not something I aspired to, but surprisingly, came about.
What’s the next career milestone you’re working towards?
I'm drafting a couple of deeper, more edgy themes for picture books. I’d love for those to come to fruition and for a publisher to not be afraid to share them with the kids’ community. It’s hard not to rock the boat for everyone because we live in a world full of differing opinions. I aim to write my storylines with the most compassion, gentleness, and understanding possible for our youth today.
Where do you envision your writing career in the next five years?
Where will my writing career lead me? I know while I’m able to, if I can guide a student toward lovingness, or lift someone who is sad or feels alone with a poem or a word, or simply inspire a child to giggle with a whimsical story, then….I’m good.
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